Friday, July 10, 2015 at 7pm

The Bob Rauschenberg Gallery at Florida SouthWestern State College is pleased to announce that Crispin Hellion Glover, the internationally-acclaimed screen actor and movie director, will be presenting an ArtSPEAK@FSW event on Friday night, July 10th beginning at 7pm in the Rush Library Auditorium.  Offering the second part of his “IT?” trilogy for the first time in Southwest Florida, Mr. Glover will perform a one-hour narrative reading of his illustrated books as “Crispin Hellion Glover’s Big Slide Show, Part 2” before screening his most recent feature It Is Fine! EVERYTHING IS FINE.  Following the film, he will open the floor to discussion with a Q. & A., and will end the evening with a book-signing/meet n’ greet.

Described as part horror film, part exploitation picture and part documentary, It Is Fine! EVERYTHING IS FINE. tells the story of a man who is unable to express his sexuality in the way he desires.  Communicated from the actual point of view of lead actor and screenwriter Steven C. Stewart, who, while suffering from severe cerebral palsy and confined to a nursing home for a decade, lived for years watching people do things he was never able to do – this semi-autobiographical, psycho-sexual tale was revered as, “Wildly impassioned and macabrely fascinating” by The New York Times.

Crispin Hellion Glover began his prolific acting career at the age of thirteen.  He landed his first film role in My Tutor in 1983, and was cast opposite Sean Penn that year in Racing with the Moon.  Perhaps best known for portraying riotously eccentric characters on screen, Glover starred as George McFly in Robert Zemeckis’ box office smash Back to the Future (1985), Layne in River’s Edge, Groovin’ Gary in The Orkly Kid installment of The Beaver Trilogy, the Christmas-obsessed Dell in David Lynch’s Wild at Heart (1990), Andy Warhol in Oliver Stone’s The Doors (1991), Howard Barth in Gus Van Sant’s Even Cowgirls Get the Blues (1993), Train Fireman in Jim Jarmusch’s Dead Man (1995), the Knave of Hearts in Tim Burton’s Alice in Wonderland (2010), as well as oddball title roles in Bartleby (2000) and Willard (2002).

Not scheduled to be screened again (after this Ft. Myers presentation) until late August at the Institute of Contemporary Arts (ICA) in London, PAPER magazine declared, “What Diane Arbus was to photography, Crispin Hellion Glover is swiftly achieving as a filmmaker… Training his sardonic eyes on the strange and afflicted, he achieves a mad dark poetry on celluloid.”  This is a special “one-night-only” ArtSPEAK@FSW Event with Mr. Glover in attendance at the Bob Rauschenberg Gallery/Rush Library Auditorium.

This event is open to the public, free of charge.  The first-come, first-served seating is limited.  However, please note that NO ONE UNDER 18-YEARS OF AGE WILL BE ADMITTED due to the graphic/adult nature of the material to be presented.

“Famously odd actor Crispin Glover to visit FSW College” in The News-Press by Charles Runnells (June 26, 2015)

“The Bob Rauschenberg Gallery at Florida SouthWestern State College host Crispin Hellion Glover” in Florida Weekly (July 1, 2015)

“Actor/director Crispin Hellion Glover screens new film at FSW Friday evening” in Beach Bulletin (July 8, 2015)

“Actor Crispin Glover talks about his odd reputation, FSW show” in The News-Press by Charles Runnells (July 10, 2015)

“Next ‘ArtSPEAK@FSW’ to feature screen actor and filmmaker Crispin Hellion Glover” from by Tom Hall (June 26, 2015)



ArtSPEAK@FSW Lecture/Performance by Bernard Brunon – That’s Painting PR Image- Brunon 5-15Productions, Inc.
Wednesday, May 13, 2015 at 6pm

The Bob Rauschenberg Gallery at Florida SouthWestern State College is pleased to announce that Los Angeles-based visual artist, art critic and curator Bernard Brunon will be presenting an ArtSPEAK@FSW performance/lecture on Wednesday, May 13th at 6pm.  Originally aiming to make paintings that would stand outside the established art historical codes of representation, and sharing an affinity with the work of the internationally-renowned BMPT and Supports/Surfaces art groups in France in the 1960’s and early ‘70’s, Bernard Brunon eventually found himself painting houses.  Adopting as his motto “With less to look at, there’s more to think about,” the artist has run a house-painting company (THAT’S PAINTING Productions) as a conceptual art project for almost three decades.

According to Bernard Brunon, “Painting a room does not create an image of the room; it inscribes it in its real space.”  By managing a house-painting company, the artist sets painting, and art-making, within social and economic reality of the everyday.  With a respectful nod to Rauschenberg for his groundbreaking work in the gap between the two, Brunon’s practice truly merges art and life – turning monumental monochrome abstraction into house-painting (and vice-versa).

For his ArtSPEAK@FSW presentation at the Bob Rauschenberg Gallery, Bernard Brunon will discuss his current work-in-progress – “Erased Dave Muller” (2015) – within the historical context of Bob Rauschenberg’s seminal “Erased de Kooning Drawing” (1953).  Previously “painting out” or “painting over” site-specific installations by other prominent fellow artists, Brunon’s newly commissioned work for the Bob Rauschenberg Gallery at FSW, is the latest in a series including his “Erased (Daniel) Walravens” in Galerie le Sous-sol in Paris in 1996, “Erased (Hamish) Fulton” at Texas Gallery in 1997 and “Erased (Katharina) Grosse” at the Contemporary Art Museum (CAMH) in Houston in 2004.

The Bob Rauschenberg Gallery, FSW and Los Angeles artist Dave Muller have commissioned THAT’S PAINTING Productions to paint over the 250+ ft. mural painted for “Dave Muller: Everything Sounds Good Right Now” in wall-colors that were developed by our Gallery namesake Bob Rauschenberg as the backdrop for numerous exhibitions of his own work.

This event is open to the public, free of charge.  The first-come, first-served seating is limited. 

“Bernard Brunon lecture and performance to be featured in May 13 ArtSPEAK@FSW” from by Tom Hall (May 12, 2015)

Emil SCHULT: ArtSPEAK@FSWKarftwerk-Emil-Schult-Berlin-2013
Lecture and multi-media performance (in collaboration with YuXuan Kong and Sonic Combine)
Saturday, May 2, 2015 at 1pm

The Bob Rauschenberg Gallery at Florida SouthWestern State College is pleased to announce that internationally-acclaimed Düsseldorf-based visual artist, musician and composer Emil Schult will be presenting an ArtSPEAK@FSW performance/lecture on Saturday, May 2nd at 1pm. Accompanied by special guest YuXuan Kong on the Guzheng (Chinese zither) and including a set from Bob Rauschenberg’s former collaborators and renowned experimental music collective Sonic Combine, this multimedia concert event will also provide visitors a final opportunity to experience the site-specific and immersive exhibition “Dave Muller: Everything Sounds Good Right Now.”

A master student of Joseph Beuys and Dieter Roth at the KunstAkademie/Düsseldorf in the early 1970’s, Emil Schult is perhaps best known for his collaborations with the legendary Teutonic electronic/pop band Kraftwerk. Most conspicuously contributing artwork for the staging of tours and album covers (including Autobahn and Radioactivity), Schult also provided lyrics for numerous songs – including “The Model” (a track featured on the band’s seminal The Man-Machine record). With recent “retrospectives” at both the Museum of Modern Art/MoMA in New York City and the Tate Modern in London – plus, a 2015 Lifetime Achievement Award at the Grammy’s, the cultural impact, broad visual and musical influence of Kraftwerk can scarcely be overstated.

11169760_CroppedAs a visual artist Emil Schult has exhibited his work in galleries and museums internationally for decades. In conjunction with the 2012 Bob Rauschenberg Gallery exhibition “Things Not Seen Before: A Tribute to John Cage” (which then travelled in expanded form to the National Gallery of Art/Tbilisi, Georgia – former Soviet Union), Schult was commissioned to paint a portrait of the late composer John Cage and to select records for our “John Cage’s 33-1/3 – Performed by Audience” installation.

This event is open to the public, free of charge.  The first-come, first-served seating is limited. 

“Kraftwerk’s Emil Schult performs Saturday at FSW College” in The News-Press by Charles Runnells (April 28, 2015)

Lecture/performance and special “one-night-only” screening of his documentary film NEVER RECORDS: YOU ARE NOT LISTENING
Thursday, April 9, 2015 from 6-8pm

The Bob Rauschenberg Gallery at Florida SouthWestern State College is pleased to announce that New York-based visual artist and musician Ted Riederer will be presenting an ArtSPEAK@FSW performance/lecture in conjunction with a special “one-night-only” screening of his much-celebrated, feature-length documentary NEVER RECORDS: YOU ARE NOT LISTENING (Directed by Jason Wyche) next Thursday evening, April 9 from 6-8pm.

Shot on location in Northern Ireland and in London, England, the film NEVER RECORDS: YOU ARE NOT LISTENING explores the power of art and music to unite, educate, and uplift a community.  A self-proclaimed “one-time refugee from punk rock and sometime band member (as frontman for Thumper),” Ted Riederer has ambled artistically from the Americas to the Antipodes while creating a catalyst for social interaction and the artistic expression of others through his Never Records projects.  Travelling his record lathe and not-for-profit recording studio/“mock record shop” (Never Records) from New York to Liverpool, Lisbon and New Orleans, Stephen McCauley of BBC Radio/UK proclaimed that Riederer’s efforts had “taken the city by storm… a cultural phenomenon. (Never Records) plugged people back into why music was important in the first place.”  Receiving the Best of Fest award at the Victoria Texas Independent Film Festival in 2013 and garnering critical-acclaim in both the 2013 RxSM Underground Film Expo and CBGB Film Festival, Wyche’s documentary NEVER RECORDS: YOU ARE NOT LISTENING closely follows Riederer, features performances by some of the UK’s most talented musicians and deftly illustrates just what is possible when the all-mighty dollar (or British Pound) is taken out of the art and music equation.

The official trailer for NEVER RECORDS: YOU ARE NOT LISTENING can be viewed at: <>

The work of Ted Riederer has been presented internationally in exhibitions at PS1, Prospect 1.5, Goff and Rosenthal/Berlin, Nicole Klagsbrun Gallery, Jack Hanley Gallery (San Francisco), Marianne Boesky Gallery, Context Gallery (Derry, Ireland), David Winton Bell Gallery (Brown University), The University of South Florida Contemporary Art Museum/Tampa, the Liverpool Biennial, and the Dhaka Arts Center, Bangladesh.  Following the film screening of NEVER RECORDS: YOU ARE NOT LISTENING, the artist will present a new performance of his solo “Drums & Roses” (this time inspired by the floral elements prominently featured in the DAVE MULLER: EVERYTHING SOUNDS GOOD RIGHT NOW mural/installation currently on-view in the Bob Rauschenberg Gallery).

This event is open to the public, free of charge.  The first-come, first-served seating is limited. 

“Ted Riederer and screening of documentary ‘Never Records’ to be featured at ArtSPEAK@FSW on April 9” from by Tom Hall (April 2, 2015)

Laurie ANDERSON: ArtSPEAK@FSW Lecture Poster- Anderson 1-15
Saturday, January 24, 2015 at 1pm

The Bob Rauschenberg Gallery at Florida SouthWestern State College is honored to announce that Laurie Anderson, one of America’s most celebrated, innovative and influential artists, will be presenting an ArtSPEAK@FSW lecture on Saturday afternoon, January 24th at 1pm in Rush Library Auditorium. On the final day of the RAUSCHENBERG: China/America Mix exhibition (now “remixed” – with works repositioned using chance operations and reinstalled for the New Year), the highly-revered Ms. Anderson will present a one-off artist’s talk on her current projects and recent work.

A seminal figure in Contemporary Art and music, Ms. Anderson has produced pioneering works that defy categorization and have blurred the boundaries of performance, theater, visual art and experimental music/sound.  Since the 1970’s, Ms. Anderson has published numerous books (and been the subject of several), produced videos (for PBS and MTV), films (including her feature-length Home of the Brave), radio pieces (for National Public Radio and BBC) and original scores for dance – including her groundbreaking collaboration in the 1980’s (on Set and Reset) with choreographer Trisha Brown and Robert Rauschenberg.

With the unanticipated popular appeal and U.K. radio chart success of her One Ten Records (and later Warner Brothers) single “O Superman,” Ms. Anderson’s recording career was launched in 1981 and unintended celebrity-status secured. Her live shows range from simple spoken word to elaborate multi-media stage performances such as Songs and Stories for Moby Dick (1999).  In 2002, Ms. Anderson was appointed the first artist-in-residence of NASA which culminated in her 2004 touring solo performance The End of the Moon. In 2007 she received the prestigious Dorothy and Lillian Gish Prize for her outstanding contribution to the arts. In 2008 she completed a two-year worldwide tour of her performance piece, Homeland, which was released as an album on Nonesuch Records in June 2010.

The subject of a 2003 retrospective entitled The Record of the Time: Sound in the Work of Laurie Anderson that was organized by The Musée d’Art Contemporain de Lyon which travelled from France to Milan, Düsseldorf, Dublin and Tokyo through 2005, and a more recent survey of visual and installation art presented at CCBB in Sao Paulo and Rio de Janeiro in 2010, Ms. Anderson has had work acquired for the permanent collections of major institutions including the Museum of Modern Art/New York and has recently announced a partnership and extended loan that will provide a long-term home for exhibiting and presenting various “works-in-progress” at MASS MoCA in North Adams, Massachusetts.

This event is open to the public, free of charge.  The first-come, first-served seating is limited. 

“Laurie Anderson ‘ArtSPEAK’ at Bob Rauschenberg Gallery” from Hamptons Art Hub by Sandra Schulman (February 10, 2015)

DAVE HICKEY:  The Rauschenberg Legacy (sans Bob)Dave Hickey
an ArtSPEAK@FSW lecture
& Pirates and Farmers: Essays on Taste Book-Signing to Follow
Saturday, October 4, 2014 at 1pm
Florida SouthWestern State College, Rush Library Auditorium

The Bob Rauschenberg Gallery at Florida SouthWestern State College is honored to announce that Dave Hickey, perhaps the most highly-revered, widely-read and provocative writers addressing cultural issues today, will be presenting a “one-off” ArtSPEAK@FSW lecture on Saturday afternoon, October 4th at 1pm in Rush Library Auditorium.  In celebration of the 10-year anniversary of the Gallery’s renaming in Mr. Rauschenberg’s honor and in advance of our “RAUSCHENBERG: China/America Mix” exhibition opening on the artist’s October 22nd birthday, Dave Hickey will speak publicly for the first time on “The Rauschenberg Legacy (sans Bob).”

Author of popular books such as Air Guitar: Essays on Art & Democracy and The Invisible Dragon: Four Essays on Beauty, Hickey’s latest endeavor – the much-celebrated Pirates and Farmers: Essays on Taste is a collection of enlightening writings on cultural phenomena in a time when the commoditization and oversimplification of art seems most prevalent.  Having served as Executive Editor for Art in America magazine and as a contributing editor to The Village Voice, Dave Hickey has written for publications as wide-ranging as Rolling Stone, Art News, Artforum, Harper’s Magazine, Andy Warhol’s Interview, Vanity Fair and Playboy, and been the subject of lengthy profiles in Texas Monthly, U.S. News and World Report, The New York Times, The Los Angeles Times and The Chronicle of Higher Education.

Once described by Newsweek as “exhilarating, deeply engaging… and a provocation to reignite the conversation about the purpose of art,” Hickey’s books – much like his lectures – both stimulate and provoke thought and debate. The College Art Association’s Frank Jewett Mather Award winner in 1994 (the “Oscar” for art criticism) and a 2001 recipient of the prestigious MacArthur Foundation (so-called) “Genius Award” (a $625,000, no-strings-attached grant for those deemed “exceptionally creative”), this is an extraordinary/one-time-only opportunity to hear Dave speak about Bob.

More about us: The Bob Rauschenberg Gallery was founded as The Gallery of Fine Art in 1979 on the Lee County campus of Florida SouthWestern State College/FSW (then Edison Community College).  On June 4th 2004 the Gallery of Fine Art was renamed the Bob Rauschenberg Gallery, to honor and commemorate our long time association and friendship with the artist.  Over more than three decades until his death, the Gallery worked closely with Rauschenberg to present world premiere exhibitions including multiple installations of the ¼ Mile or Two Furlong Piece.  The artist insisted on naming the space the Bob Rauschenberg Gallery (versus the “Robert Rauschenberg Gallery”) as it was consistent with the intimate, informal relationship he maintained with both our local Southwest Florida community and FSW.

Click here to share the Facebook event:!/events/839256592765031/

Seating will be limited, but the event is free and open to the public

“DAVE HICKEY ArtSPEAK@FSW Lecture on Rauschenberg” from (October 2014)

Keith EDMIER: Artist’s Talk
Saturday, August 23, 2014 at 1pmPoster FINAL- Edmier 8-14

The Bob Rauschenberg Gallery is pleased to announce an artist’s talk by the celebrated New York sculptor Keith Edmier on Saturday afternoon (1pm) in the Rush Auditorium at Florida SouthWestern State College. Speaking candidly for the first-time on his fascination with Pop culture and much reported art collaborations and exhibitions with 1970’s icon Farrah Fawcett (who he exhibited with in two-person shows at the Los Angeles County Museum of Art and Andy Warhol Museum in Pittsburgh) and the late, great motorcycle daredevil Evel Knievel (who he worked closely with on their “EK:KE” project at the USF Contemporary Art Museum in Tampa in 1997).

Keith Edmier was born in 1967 on Chicago’s South Side. He grew up in the suburb of Tinley Park, Illinois. In 1985 at age 17, Edmier moved to Los Angeles to pursue a career in the film industry creating special make-up effects. His first job was working for Rick Baker on Michael Jackson’s “Caption EO” (which was directed by Francis Ford Coppola). He then worked for Chris Walas on David Cronenberg’s remake of “The Fly”, which won an Academy Award for best make-up in 1986. Edmier briefly attended The California Institute of the Arts/CalArts (studying under the influential artist Mike Kelley), then continued to work in the film business throughout the rest of the 1980’s, supervising effects for films including “Bride of Re-Animator”, “Barton Fink” for Joel and Ethan Coen, and the television series “Freddy’s Nightmares”.

In the beginning of 1991, Edmier moved to New York City to work as a fine artist. He had his first solo show in 1993 at the Friedrich Petzel Gallery. He has exhibited extensively since – including shows at the Tate Modern in London; the 2002 Whitney Biennial, Whitney Museum of American Art in New York; San Francisco Museum of Modern Art; and the Museum of Contemporary Art, Chicago. Edmier has had solo exhibitions at the Contemporary Art Museum/Tampa (curated by Bob Rauschenberg Gallery Director Jade Dellinger), the Los Angeles County Museum of Art, the Andy Warhol Museum, and a mid-career survey at the CCS Bard Hessel Museum of Art, New York. He is the recipient of the Louis Comfort Tiffany Foundation 2001 Biennial Award, and his work is in numerous private and public collections including the Walker Art Center, Minneapolis; Hessel Museum of Art/CCS-Bard College, New York; San Francisco Museum of Modern Art; The Denver Art Museum; The Israel Museum, Tele Viv and The Tate Gallery in London.

Benjamin Patterson: Born in the State of FLUXus – A Performance/Lecture
Tuesday, June 24, 2014 at 6pm Ben Patterson

In conjunction with our on-going exhibition
ELEVEN: The John Erickson Museum of Art (JEMA) 10-Year Retrospective
May 9 – July 25, 2014
at the Bob Rauschenberg Gallery

Presented in conjunction with ELEVEN: The John Erickson Museum of Art (JEMA) 10-Year Retrospective (May 9th – July 25th, 2014) and represented in the exhibition at the Bob Rauschenberg Gallery at Edison State College (soon to be Florida SouthWestern State College) by his two solo projects [Paper Piece (1960/2014) and Bollywood Love: Object of Desire (2010)], the influential and affable artist Ben Patterson will discuss the origin and history of the Fluxus movement, his current work and his ongoing involvement with Sean Miller and the John Erickson Museum of Art.

A founding member of Fluxus, the international collective of artists known for infusing avant-garde practices with anarchic spirit and humor, Ben Patterson helped revolutionize the artistic landscape at the advent of the 1960s and was on the forefront of ushering in a new – often controversial – era of experimental music and visual art.  Now in his eighties and residing in Germany, Mr. Patterson has been the recent subject of a major traveling retrospective (organized by the Contemporary Art Museum/Houston) and has had the distinction of having his work acquired by numerous institutions – including the Permanent Collections of the Walker Art Center in Minneapolis and the Museum of Modern Art in New York.

A classically trained musician and composer whose most significant contribution to Fluxus was exploring the connection between action and music, Ben Patterson has spent more than five decades creating compositions for both the body in action (“action as composition”) and the unconventional playing of his instrument, the contra bass, through ordinary gestures.  Later recognized as the first official Fluxus event, after a brief encounter with John Cage in 1960, Mr. Patterson became a fixture in the experimental music scene in Germany and co-organized and performed at the first International Festival of New Music with George Maciunas at the Staatsmuseum in Wiesbaden in 1961.

In the tradition of Marcel Duchamp, John Cage and Bob Rauschenberg, with tongue-in-cheek – often provocative – humor, Ben Patterson’s work is a celebration of “ordinary life”.  Employed for some years as a reference librarian, an arts administrator and as an entrepreneur with his own music management company, Patterson took a hiatus and withdrew from his career as an artist for nearly two decades.  Reemerging in the 1980’s and returning to Europe to live, Ben Patterson has spent the last twenty-five years prolifically creating visual art, scores and performing his work.

“Ben Patterson to discuss Fluxus movement in Edison State College lecture and performance on June 24” from by Tom Hall (June 17, 2014)

“Making sense of Ben Patterson’s ‘Fluxus in the Swamp’ performance” from by Tom Hall (June 30, 2014)