The Bob Rauschenberg Gallery at Florida SouthWestern State College is honored to announce that Laurie Anderson, one of America’s most celebrated, innovative and influential artists, will be presenting an ArtSPEAK@FSW lecture on Saturday afternoon, January 24th at 1pm in Rush Library Auditorium. On the final day of the RAUSCHENBERG: China/America Mix exhibition (now “remixed” – with works repositioned using chance operations and reinstalled for the New Year), the highly-revered Ms. Anderson will present a one-off artist’s talk on her current projects and recent work.
A seminal figure in Contemporary Art and music, Ms. Anderson has produced pioneering works that defy categorization and have blurred the boundaries of performance, theater, visual art and experimental music/sound. Since the 1970’s, Ms. Anderson has published numerous books (and been the subject of several), produced videos (for PBS and MTV), films (including her feature-length Home of the Brave), radio pieces (for National Public Radio and BBC) and original scores for dance – including her groundbreaking collaboration in the 1980’s (on Set and Reset) with choreographer Trisha Brown and Robert Rauschenberg.
With the unanticipated popular appeal and U.K. radio chart success of her One Ten Records (and later Warner Brothers) single “O Superman,” Ms. Anderson’s recording career was launched in 1981 and unintended celebrity-status secured. Her live shows range from simple spoken word to elaborate multi-media stage performances such as Songs and Stories for Moby Dick (1999). In 2002, Ms. Anderson was appointed the first artist-in-residence of NASA which culminated in her 2004 touring solo performance The End of the Moon. In 2007 she received the prestigious Dorothy and Lillian Gish Prize for her outstanding contribution to the arts. In 2008 she completed a two-year worldwide tour of her performance piece, Homeland, which was released as an album on Nonesuch Records in June 2010.
The subject of a 2003 retrospective entitled The Record of the Time: Sound in the Work of Laurie Anderson that was organized by The Musée d’Art Contemporain de Lyon which travelled from France to Milan, Düsseldorf, Dublin and Tokyo through 2005, and a more recent survey of visual and installation art presented at CCBB in Sao Paulo and Rio de Janeiro in 2010, Ms. Anderson has had work acquired for the permanent collections of major institutions including the Museum of Modern Art/New York and has recently announced a partnership and extended loan that will provide a long-term home for exhibiting and presenting various “works-in-progress” at MASS MoCA in North Adams, Massachusetts.
This event is open to the public, free of charge. The first-come, first-served seating is limited.
DAVE HICKEY: The Rauschenberg Legacy (sans Bob)
an ArtSPEAK@FSW lecture
& Pirates and Farmers: Essays on Taste Book-Signing to Follow
Saturday, October 4, 2014 at 1pm
Florida SouthWestern State College, Rush Library Auditorium
The Bob Rauschenberg Gallery at Florida SouthWestern State College is honored to announce that Dave Hickey, perhaps the most highly-revered, widely-read and provocative writers addressing cultural issues today, will be presenting a “one-off” ArtSPEAK@FSW lecture on Saturday afternoon, October 4th at 1pm in Rush Library Auditorium. In celebration of the 10-year anniversary of the Gallery’s renaming in Mr. Rauschenberg’s honor and in advance of our “RAUSCHENBERG: China/America Mix” exhibition opening on the artist’s October 22nd birthday, Dave Hickey will speak publicly for the first time on “The Rauschenberg Legacy (sans Bob).”
Author of popular books such as Air Guitar: Essays on Art & Democracy and The Invisible Dragon: Four Essays on Beauty, Hickey’s latest endeavor – the much-celebrated Pirates and Farmers: Essays on Taste is a collection of enlightening writings on cultural phenomena in a time when the commoditization and oversimplification of art seems most prevalent. Having served as Executive Editor for Art in America magazine and as a contributing editor to The Village Voice, Dave Hickey has written for publications as wide-ranging as Rolling Stone, Art News, Artforum, Harper’s Magazine, Andy Warhol’s Interview, Vanity Fair and Playboy, and been the subject of lengthy profiles in Texas Monthly, U.S. News and World Report, The New York Times, The Los Angeles Times and The Chronicle of Higher Education.
Once described by Newsweek as “exhilarating, deeply engaging… and a provocation to reignite the conversation about the purpose of art,” Hickey’s books – much like his lectures – both stimulate and provoke thought and debate. The College Art Association’s Frank Jewett Mather Award winner in 1994 (the “Oscar” for art criticism) and a 2001 recipient of the prestigious MacArthur Foundation (so-called) “Genius Award” (a $625,000, no-strings-attached grant for those deemed “exceptionally creative”), this is an extraordinary/one-time-only opportunity to hear Dave speak about Bob.
More about us: The Bob Rauschenberg Gallery was founded as The Gallery of Fine Art in 1979 on the Lee County campus of Florida SouthWestern State College/FSW (then Edison Community College). On June 4th 2004 the Gallery of Fine Art was renamed the Bob Rauschenberg Gallery, to honor and commemorate our long time association and friendship with the artist. Over more than three decades until his death, the Gallery worked closely with Rauschenberg to present world premiere exhibitions including multiple installations of the ¼ Mile or Two Furlong Piece. The artist insisted on naming the space the Bob Rauschenberg Gallery (versus the “Robert Rauschenberg Gallery”) as it was consistent with the intimate, informal relationship he maintained with both our local Southwest Florida community and FSW.
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Seating will be limited, but the event is free and open to the public
Keith EDMIER: Artist’s Talk
Saturday, August 23, 2014 at 1pm
The Bob Rauschenberg Gallery is pleased to announce an artist’s talk by the celebrated New York sculptor Keith Edmier on Saturday afternoon (1pm) in the Rush Auditorium at Florida SouthWestern State College. Speaking candidly for the first-time on his fascination with Pop culture and much reported art collaborations and exhibitions with 1970’s icon Farrah Fawcett (who he exhibited with in two-person shows at the Los Angeles County Museum of Art and Andy Warhol Museum in Pittsburgh) and the late, great motorcycle daredevil Evel Knievel (who he worked closely with on their “EK:KE” project at the USF Contemporary Art Museum in Tampa in 1997).
Keith Edmier was born in 1967 on Chicago’s South Side. He grew up in the suburb of Tinley Park, Illinois. In 1985 at age 17, Edmier moved to Los Angeles to pursue a career in the film industry creating special make-up effects. His first job was working for Rick Baker on Michael Jackson’s “Caption EO” (which was directed by Francis Ford Coppola). He then worked for Chris Walas on David Cronenberg’s remake of “The Fly”, which won an Academy Award for best make-up in 1986. Edmier briefly attended The California Institute of the Arts/CalArts (studying under the influential artist Mike Kelley), then continued to work in the film business throughout the rest of the 1980’s, supervising effects for films including “Bride of Re-Animator”, “Barton Fink” for Joel and Ethan Coen, and the television series “Freddy’s Nightmares”.
In the beginning of 1991, Edmier moved to New York City to work as a fine artist. He had his first solo show in 1993 at the Friedrich Petzel Gallery. He has exhibited extensively since – including shows at the Tate Modern in London; the 2002 Whitney Biennial, Whitney Museum of American Art in New York; San Francisco Museum of Modern Art; and the Museum of Contemporary Art, Chicago. Edmier has had solo exhibitions at the Contemporary Art Museum/Tampa (curated by Bob Rauschenberg Gallery Director Jade Dellinger), the Los Angeles County Museum of Art, the Andy Warhol Museum, and a mid-career survey at the CCS Bard Hessel Museum of Art, New York. He is the recipient of the Louis Comfort Tiffany Foundation 2001 Biennial Award, and his work is in numerous private and public collections including the Walker Art Center, Minneapolis; Hessel Museum of Art/CCS-Bard College, New York; San Francisco Museum of Modern Art; The Denver Art Museum; The Israel Museum, Tele Viv and The Tate Gallery in London.
Benjamin Patterson: Born in the State of FLUXus – A Performance/Lecture
Tuesday, June 24 at 6pm
In conjunction with our on-going exhibition
ELEVEN: The John Erickson Museum of Art (JEMA) 10-Year Retrospective
May 9 – July 25, 2014
at the Bob Rauschenberg Gallery
Presented in conjunction with ELEVEN: The John Erickson Museum of Art (JEMA) 10-Year Retrospective (May 9th – July 25th, 2014) and represented in the exhibition at the Bob Rauschenberg Gallery at Edison State College (soon to be Florida SouthWestern State College) by his two solo projects [Paper Piece (1960/2014) and Bollywood Love: Object of Desire (2010)], the influential and affable artist Ben Patterson will discuss the origin and history of the Fluxus movement, his current work and his ongoing involvement with Sean Miller and the John Erickson Museum of Art.
A founding member of Fluxus, the international collective of artists known for infusing avant-garde practices with anarchic spirit and humor, Ben Patterson helped revolutionize the artistic landscape at the advent of the 1960s and was on the forefront of ushering in a new – often controversial – era of experimental music and visual art. Now in his eighties and residing in Germany, Mr. Patterson has been the recent subject of a major traveling retrospective (organized by the Contemporary Art Museum/Houston) and has had the distinction of having his work acquired by numerous institutions – including the Permanent Collections of the Walker Art Center in Minneapolis and the Museum of Modern Art in New York.
A classically trained musician and composer whose most significant contribution to Fluxus was exploring the connection between action and music, Ben Patterson has spent more than five decades creating compositions for both the body in action (“action as composition”) and the unconventional playing of his instrument, the contra bass, through ordinary gestures. Later recognized as the first official Fluxus event, after a brief encounter with John Cage in 1960, Mr. Patterson became a fixture in the experimental music scene in Germany and co-organized and performed at the first International Festival of New Music with George Maciunas at the Staatsmuseum in Wiesbaden in 1961.
In the tradition of Marcel Duchamp, John Cage and Bob Rauschenberg, with tongue-in-cheek – often provocative – humor, Ben Patterson’s work is a celebration of “ordinary life”. Employed for some years as a reference librarian, an arts administrator and as an entrepreneur with his own music management company, Patterson took a hiatus and withdrew from his career as an artist for nearly two decades. Reemerging in the 1980’s and returning to Europe to live, Ben Patterson has spent the last twenty-five years prolifically creating visual art, scores and performing his work.